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18.8.17

Gadara, Jordan

ΕΛΛΗΝΙΚΑ
Gadara, modern Umm Qays, ancient  city of the Decapolis eight miles southeast of the Sea of Galilee and seven miles east of the Jordan river. Situated at more than 1200 ft. above sea-level the site offers a breath-taking panorama of the surrounding region.

It lies in the Bani Kinanah Department and Irbid Governorate in the extreme northwest of the country, near Jordan's borders with Israel and Syria. It is perched on a hilltop 378 metres (1,240 ft) above sea level overlooking the Sea of Tiberias, the Golan Heights, and the Yarmouk River gorge.

Gadara was a typical Hellenistic city that became a center of Greek culture under the Seleucids. It was the hometown of the Cynic philosopher Menippus [3rd c. BCE] who invented the genre of mocking narrative satire imitated by later Greek and Latin writers [e.g., Petronius' Satyricon] & birthplace of the poet Meleager [1st c. BCE] who compiled the first Greek poetic anthology.

In good satiric style Mark 5 portrays Jesus as expelling a demon named "Legion" — the basic unit of the Roman army — from the region of the "Gerasenes" (an inland city-state of the Decapolis south of Gadara high in the Jordanian mountains, miles from any major body of water). Matthew sets this incident closer to the Sea of Galilee in the territory of the "Gadarenes." Like the satires of Menippus, however, the setting of this exorcism story is purely imaginative, since there are no cliffs in the region of Gadara, much less Gerasa, that border on a lake. The site usually shown tourists as the location of this exorcism — Kursi below the slopes of the Golan 12 miles north of Gadara — has cliffs that descend to the sea but lacks evidence of a settlement in the 1st c. CE and or any association with either Gadara or Gerasa.

Origin of the name Gadara-Gader:
In Semitic languages, gader means a wall or boundary. Later Talmudic legend associatively connected 'Gader' with the area of the vineyard wall (gader) where an angel is said to have halted the prophet Balaam. It was then that his ass was supposed to have miraculously addressed its master complaining of his ill-treatment (Numbers xxii.24-29). However, the site's history really began when Alexander's successors founded a Greek polis at Gader, Hellenizing it as Gadara, perhaps in memory of their Macedonian village of Gadeira.

History
Gadara (Hebrew: גדרה‎‎, Gadʾara, or גדר, Gader; Greek: Γάδαρα Gádara) was situated in a defensible position on a ridge accessible to the east but protected by steep falls on the other three sides.It was well-watered, with access to the Ain Qais spring and cisterns.

A member of the Decapolis, Gadara was a center of Greek culture in the region, considered one of its most Hellenized and enjoying special political and religious status. By the third century BC the town was of some cultural importance. It was the birthplace of the satirist Menippus, a slave who became a Cynic philosopher and satirized the follies of mankind in a mixture of prose and verse. His works have not survived, but were imitated by Varro and by Lucian. 

The Greek historian Polybius describes Gadara as being in 218 BC the "strongest of all places in the region". Nevertheless, it capitulated shortly afterwards when besieged by the Seleucid king Antiochus III of Syria. Under the Seleucids, it was also known as Antiochia or Antiochia Semiramis (Ἀντιόχεια Σεμίραμις, Antiókheia Semíramis) and as Seleucia.

The region passed in and out of the control of the Seleucid kings of Syria and the Ptolemies of Egypt. Gadara was captured and damaged by Alexander Jannaeus. In the early first century BC Gadara gave birth to its most famous son, Meleager. He was one of the most admired Hellenistic Greek poets, not only for his own works but also for his anthology of other poets, which formed the basis of the large collection known as the Greek Anthology. 

In 63 BC, when the Roman general Pompey placed the region under Roman control, he rebuilt Gadara and made it one of the semi-autonomous cities of the Roman Decapolis,[dubious – discuss] and a bulwark against Nabataean expansion. But in 30 BC Augustus placed it under the control of the Jewish king Herod. The historian Josephus relates that after King Herod's death in 4 BC Gadara was made part of the Roman province of Syria.

Josephus relates that in AD 66 at the beginning of the Jewish revolt against the Romans the country around Gadara was laid waste,:
"So Vespasian marched to the city of Gadara. He came into it and slew all the youth, the Romans having no mercy on any age whatsoever. He set fire to the city and all the villas around it."

The Gadarenes captured some of the boldest of the Jews, of whom several were put to death and others imprisoned. Some in the town surrendered to emperor Vespasian, who placed a garrison there.

The 2nd century AD Roman aqueduct to Gadara supplied drinking water through a qanat 170 km (110 mi) long. Its longest underground section, running for 94 km, is the longest known tunnel from ancient times. Gadara continued to be an important town within the Eastern Roman Empire, and was long the seat of a Christian bishop. With the conquest of the Arabs, following the Battle of Yarmouk in 636 it came under Muslim rule. Around 747 it was largely destroyed by an earthquake, and was abandoned.

The ancient walls may now be traced in almost their entire circuit of 3 km. One of the Roman roads ran eastward to Ḍer‛ah; and an aqueduct has been traced to the pool of Ḳhab, about 20 miles to the north of Ḍer‛ah. The ruins include those of "baths, two theaters, a hippodrome, colonnaded streets and, under the Romans, aqueducts," a temple, a basilica and other buildings, telling of a once splendid city. A paved street, with double colonnade, ran from east to west. The ruts worn in the paved road by the wheels of ancient vehicles are still to be seen.

In the first century, Jesus is said to have driven demons out of a man and into some swine "in the country of the Gadarenes" or "country of the Gerasenes", which has often been associated with Gadara. A story set in the "territory of the Gadarenes", probably referring to the area around Gadara, appears in the Gospel of Matthew, VIII 28-34. It describes an encounter between Jesus and two men "possessed by demons"; Jesus exorcises the demons, driving them into a nearby herd of pigs, which then run "down the steep place into the sea”, evidently intended to refer to the Sea of Galilee. 

In the original version, in the earlier Gospel of Mark, V 1-20, the incident is set in "the territory of the Gerasenes", or Gerasa, around 50 km (31 mi) southeast of the Sea of Galilee. 
The author of the Matthew Gospel appears to have moved the setting to Gadara to make it more plausible. However it is still 10 km (6.2 mi) away, so Origen speculated that there had been a town called "Gergasa" on the shores of the sea. The Jerusalem Talmud (Erubin 5:7) and the Tosefta (Erubin 6:13) refer to a town called "Gader" (sic) within a Sabbath day's walking distance from Hamath, a town situated within one biblical mile to the south of Tiberias.

Ancient Gadara was important enough to become a suffragan bishopric of the Metropolitan Archbishopric of Scythopolis, the capital of the Roman province of Palestina Secunda, but it faded with the city after the Muslim conquest.

Monuments
Today, the archaeological site of ancient Gadara ajoins the Jordanian village of Um-Qeis (98K), where you can still walk down Gadara's once colonaded city streets (117K), that criss-crossed beneath its basilica. The city's late structures include a mysterious subterranean hypogeion (117K), whose purpose is uncertain, and see its (one of two little Greco-Roman) theatres (137K), an octagonal market-place as well as the basilica (97K) itself.
See Arthur Segal, Monumental Architecture in Roman Palestine and Provincia Arabia(Haifa, 1995)

On the Israeli side of the Yarmuk Valley (98K), adjoining a collective village, is found the valley of Hammat-Gader (el-Hammeh), where there still flow four naturally cold and hot springs, famous for their therapeutic powers. These once filled the large pool (137K) and small pools (98K) of an early Byzantine spa, supplying it with hot and cold waters. Besides the remains of the ancient spa complex, the valley also sites the ruins of Roman baths and a small Greco-Roman theatre.
Y. Hirschfield: The Roman Thermae at Hammat-Gader- Final Report (Jerusalem, 1997)
Close by, on a mound in the valley, there are preserved the remains of a Byzantine Jewish synagogue in which mosaiques with Hebrew-Aramaic inscriptions are preserved.
E.L. Sukenik: The Ancient Synagogue of El-Hammeh (Jerusalem, 1935),

Today one may still bathe in these waters at the spa of the neighbouring spa and park of Hammat Gader, that is also famous for its crocodile farm, kept safely apart from the bathers. 
Tread lightly, the next time you visit Hammat-Gader, there is more beneath your feet than the local crocodiles. 
Ancient Gadara had a fine tradition of philosophy and poetic satire
Cynics of Gadara:
Its first great son, was Menippus,who probably moved to Greece in the middle of the 3rd century B.C. He was a Cynic philosopher and satirist - but allegedly a slave by origin, who on earning his freedom, made money as a ship-broker, but hanged himself on losing it. Fictitious stories about Menippus seem to be derived from his own self-mocking, pseudo-autobiographic works, such as A Descent into Hades, where he mocked the foibles of the living through the mouths of the dead. Considered, the father of the philosophical satire known as Menippean satire, he was much admired by the satirist Lucian (120-200 A.D.):
Friend:
Is that not that Cynic dog, Menippus? It could not be anyone else unless I have begun to see things. Why, it is Menippus to a hair! But then what is he up to with that piece-meal costume? an oriental felt cap, a harp and a lion's skin? Well, I have no choice now but to go up and greet him. 
Hi, Menippus! Where have you set out from? It is a long time since you last put in an appearnace in town!
Menippus
I have come from the hide-out of the dead 
the very gates of darkness. 
I have left the home of Hades, 
set apart from other gods.
(Lucian Menippus or the Descent into Hades 1)

A great admiror of Menippus was the poet-philosopher, Meleager of Gadara (1st century B.C.). Meleager wrote satires, that no longer survive, as well as many beautiful epigrams that do. He also was responsible for one of the first poetic anthologies. His choice later formed the basis of our classical Greek Anthology.
An example of his verse is a mock epigram that he composed for his own tomb. Written as if it were a tri-lingual inscription in Aramaic, Phoenician and Greek, it briefly summarises Meleager's work and life as a cosmopolitan Cynic and satirist:
Tread softly, Stranger, over the sacred dead
Here lies in well-earned sleep the aged
Meleager, Son of Eucrates, who composed 
poems about sweet-teared Eros
combining his Muse with delightful grace
The Holy Land of Gadara and Tyre with her divine boys made a man of him
Lovely Cos of the Meropian people received him in old-age
If you are a Syrian, I say to you 'Salam!', if a Phoenician -- 'Naidios!'
and if Greek -- 'Chaire!' and you return me the same.
(Greek Anthology vii. 419)

Another great Cynic of Gadara, was the 2nd century A.D. religious critic and nihilist, Oenomaus, perhaps the prototype of the Talmudic philosophical figure Abnimos, friend of R. Meir of neighbouring Tiberias. Oenomaus wrote satiric speeches against the priests of Apollo who hoodwinked the believers. Why should God, as the priests claim, care where Homer is to be buried:
(16) In our inconsequencies, God gives no thought -- no more for a Homer than for a beetle. (17) As if when a beetle was born, lived and grown old in his dung-heep, he encountered some nasty spirit and harsh beetle God, who then bore him up on high to a life in some far harsh and dung-heep land, and then he came to the oracle in Delphi to ask what dung-heep of a father-land had born him - and what earth should receive him on death" 
Fr. 1 (Hammerstaedt, p. 74 = Eus. P.E.V. 33.16-17)

Other Philosophers associated with Gadara:
By far its greatest son, was Philodemus (110-43/45 B.C.), the Epicurean philosopher poet, who moved to Herculaneum, where his library was miraculously preserved after the eruption of Vesuvius on the 24th August 79 B.C. His works include his beautiful surviving epigrams, fragmentary histories of the Stoa and Academy, works on Rhetoric and Poetics and more. Many of these are being translated and reedited in the Philodemus Project -- as well as by Prof. Marcello Gigante 
In one of his epigrams, he explains his name, Philodemos = Love (philo-) of the People (demos), self-mockingly giving it a new twist:
Once I loved a girl of Papphos, Demo her name, nothing strange in that 
then a Samian, also called Demo -- nothing strange in that too 
but then a third Demo, a girl of Nysiake. This was no longer 
funny - for worse than that, there was even a fourth Demo, of Argos 
This then is the reason I suppose that the Fates decided 
that I should be called Philodemos 
Since hot love for a 'Demo' has always gripped me! 
(Greek Anthology v. 115)

The important neo-Platonic Philosopher Iamblichus (250-330 A.D.) was not a native of Gadara, but once worked transcendental miracles in its hot-springs at neighbouring Hammat-Gader. There he and his pupils once bathed in its small and large pools. Although the present structures are much later, there still exist at Hammat-Gader remains of Byzantine baths, including a large pool (137K) and a small pool (98K). At any rate, Eunapius relates all the miraculous details of Iamblichus' visit:
Some time after, they decided to go to Gadara, where the warm baths of Syria are situated -- they are second only to the ones in Roman Baeae and cannot be compared to any other. They started out in the high season of the year. He himself set about bathing and they bathed along with him, but pestered him with the same requests as before. Iamblichus smiled and said, 
"Although it is not pious to make a demonstration of my powers, it shall be done for your sakes"
Now there were two hot springs that were smaller than the others but prettier. He commanded his pupils to enquire of the locals how they used to be called in olden times. When they had done what he commanded, they said, 
"There is no pretense, for this one is called 'Eros' and the neighbouring one 'Anti-eros'"
He immediately touched the water - he happened to be sitting at the edge by the overflow, and uttering some brief words, he summoned up from beneath the spring a child who was fair and well proportioned, with golden locks, his back and chest gleaming so as to seem wholy like one who was bathing or had just bathed.
His companions were struck with amazement but he said, 
"Let us go to the next spring"
He lead them out in a thoughtful manner. There he then worked the same (miracle) and summoned up another Eros like the former one, except that his locks were darker and poured down his back loose. Both boys embraced him as if he were their natural father. He sent them back to their own spheres and left to bathe while his companions revered him. 
(Eunapius, Lives of the Philosophers459)

Rhetoricians of Gadara:
The founder of a famous 1st century B.C. rhetorical school, was Theodorus of Gadara, whose inscription was found at Athens - and who taught the future emperor Tiberius rhetoric. It is said of Tiberius that:
even in his boyhood, his cruel and cold nature did not lie hidden. Theodorus of Gadara was his teacher of rhetoric and, in all his wisedom, seems to have been the first to have ubderstood Tiberius and to have capped him with a very pithy saying when he taunted Tiberius, calling him 'Mud kneaded with blood' 
(Suetonius, Lives of the Caesars iii: TiberiusLVII.1)

A less famous later rhetorician, called Apsines of Gadara (190-250 A.D.) taught oratory at Athens about 235 A.D. and has left us a handbook of Rhetoric. Philostratus briefly mentioned his abilities:
But I need not write of them and of Apsines the Phoenician who was so advanced in memory and precision, for I would be disbelieved as just handing out compliments since I am personally linked to them all in friendship 
(Lives of the Sophists 628)

Scientists of Gadara
Finally, there is Philo of Gadara (3rd century A.D.), who improved on Archimedes' approximation of mathematical 'pi'. The latter gave a proof for showing that
"the circumference of any circle is greater than the diameter by threefold plus a quantity that is less that a 1/7 of the diameter but greater than 10/71 parts of it" (Archimedes, Measurement of a Circle prop. iii; trans. M. Luz).

This approximation (3.142 857...> pi >3.140 8450....) is inaccurate by comparison with that accepted today (pi=3.141 5927.... ). Although Philo and his pupil, the mathematician Sporus (c. 200 A.D.), were said to have improved on Archimedes' proof producing a better appoximation, Eutocius of Ascalon argued that they both failed to grasp Archimedes's object in reckoning a rough approximation of the relationship between the cirumference and the diameter of a circle:
Sporus observes that his own teacher, Philon of Gadara, reduced (the matter) to a more exact numerical expression than Archimedes did, I mean in (the latter's) 1/7 and 10/71; in fact people seem, one after the other, to have failed to appreciate Archimedes' object 
Eutocius Commentary on Archimedes' Measurement of a Circle (trans. Sir Thomas Heath, History of Mathematics I. p. 234)

Eutocius felt that "Archimedes' object in this book was to find an apporoximate figure suitable for use in daily life" (ibid) -- this would imply that Philo and Sporus had a purely mathematical interest at heart. However, in spite of Eutocius, we do know that Archimedes later attempted a better approximation achieving 3.141 697...> pi >3.141 495... (I. Thomas, Greek Mathematics i. 333) although we do not know where Philo's approximation stood in relation to this.

Inscriptions and Papyri
A papyrus fragment also gives poetic recipees ascribed to a Gadarene witch in the 1st century B.C. Philinna Papyrus. She prescribed charms against over-heating just as the Thessalian witch Philinna trated achingÝ(the papyrus text is fragmentary):
A charm of the Syrian Gadarene for every heat
...and in the mountain it was burned: the springs of seven wolves, of seven bears, of seven lions -- and seven maids, dark eyed drew water 
in their dark jugs and they put out the inextinguishable fire.
A charm of Philinna the Thesallian for head-ache
Flee head-ache, flee beneath the stone, the wolves flee, the single-hoved horses flee beneath the whip" 
(Journal of Hellenic Studies 62.1943 pp 33-38)

Another inscription describe the Graces of Gadara and calls the city 'blessed in the Muses', as it truly was.
My father was Quintus, my Mother Philous
My name was Apion, and my father-land
was the community of Gadara blessed in the Muses
I left a childless home
and at these three cross-roads inhabit this tomb
that my father built. He came after to join me here
mourning (a son) who lived only twenty-two years 
(Palestine Exploration Quarterly 1897 pp 185)

A few of the Inscriptions, newly discovered at the Baths
In the excavations of 1979/1980, there were uncovered at the baths of Hammat-Gader, a number of interesting inscriptions, a few of them reflecting the cultural and literary atmosphere of the city.

Text and historical background in: Leah di Segni, 'The Greek Inscriptions of Hammat-Gader' in: Y. Hirschfield: The Roman Thermae at Hammat-Gader- Final Report (Jerusalem, 1997), 228-233.

South-west of the large pool (137K), was found a marble slab inscribed with a poem in Homeric verse ascribed in its heading to the learned poetess, the Empress Eudocia, a known admiror of Homer. The latter had formerly been the wife of Theodosius II and the image of "Aelia Eudocia Augusta" appears on gold coins. However, by the year 443/2 A.D., the emperor's sister conspired to bring about Eudocia's exile to Jerusalem, where the Empress spent the remainder of her life in mosaiques record in Hebew and Aramaic lists of contributors and donations made for laying out the building and its mosaiques:-

[Remembered for good]: - Ada son of Tanhum son of Monik(os), who gave one tremissis (of a denarius), Jose [son] of Karusa and Monik(os), who contributed halves of a [de]narius for this mosaique (psephasa).
May they have blessing. Amnen Sela Peace!
trans. M. Luz; text and commentary: E.L. Sukenik: The Ancient Synagogue of El-Hammeh (Jerusalem, 1935), 56-5.

Many of the conributors were apparently Galileans, but originated from outside of this immediate area. They may have come to Hammat-Gader in order to be cured by its therapeutic waters:-
Re[membered for g]ood:- Rab[bi] Tanhum ha-Levi son of [Hal]ifa who donated one tremissis (of a denarius). 
Remembered for good:- Monik(os) of Susi(tha) the Sepphorite,
the K[yros P]atrik(os) of [Ke]far Akabia and Jose son of Dosi[theos] from Capernaum, who all three donated three scruples. 
May the King of the U[niverse g]ive them a blessing for [their] work. Amen Amen Sela Peace! 
Remembered for good:- Judan of Arada (?) from Haimais (?) who gave three. 
Re[membered for g]ood:- the men of Arbela who donated their linen. May the King of the Univer[se] give them a blessing for their work. Amen Amen Sela.
trans. M. Luz; text: Sukenik, op. cit., 48-58

One should also note how many of the personal names are are Greco-Roman in origin. Nonetheless, many of them are also translations of traditional Hebrew-Aramaic names. This shows how while still being active Jews, they saw themselves as part of Greco-Roman society. Inscriptions like the following also attest the lives of a single family of local (?) Jews, who acted in the family as office-bearers with Greek titles:
Re[membered for g]ood:- the Kyros Hoples and the Kyra Protone; their son-in-law, the Kyros Sallustes and his son, the Comes Pheroros; their (second) son-in-law, the Kyros Photes, and his son, Haninah. They and their children, whose good deeds are constant in every place - and who have here donated five denarii of gold.
May the King of the Universe give them a blessing for their work. Amen Amen Sela.
trans. M. Luz; text: Sukenik, op. cit., 41-47

2.7.16

Segesta

Segesta, Greek Egesta , ancient city of Sicily, located on Monte Barbaro about 2 miles (3 km) northwest of modern Calatafimi. It was the chief city of the Elymi, a people for whom Thucydides claimed a Trojan origin; they are archaeologically indistinguishable in the Early Iron Age (c. 1000–c. 500 bc) from their Sicanian neighbours. Culturally Segesta was Greek, and inscriptions on pottery show that the local dialect was written in the Greek alphabet. Boundary disputes with nearby Selinus, for instance, were frequent from 580 bc onward. During most of the 5th century bc, Segesta was allied with Athens. It was Segesta that lured Athens into embarking on the disastrous Sicilian Expedition (416–413). When in 409 Hannibal, son of Gisgo, sacked Selinus, Segesta became a Carthaginian ally. Early in the First Punic War, however, the inhabitants massacred the Carthaginian garrison and allied themselves with Rome. Segesta was favourably treated under Roman rule; it became a free city, and the territory of Eryx may have been assigned to it. The emperor Augustus (reigned 27 bc–ad 14) granted Segesta Latin rights. Vespasian (ad 69–79) settled Roman veterans in Segesta’s extensive territory. By the late 2nd century ad, however, Segesta had been abandoned.


History
According to the tradition used in Virgil's Aeneid, Segesta was founded jointly by the territorial king Acestes (who was son of the local river Crinisus by a Dardanian woman named Segesta or Egesta) and by those of Aeneas' folk who wished to remain behind with Acestes to found the city of Acesta.

The belief that the name of the city was originally Acesta or Egesta and changed to Segesta by the Romans to avoid its ill-omened meaning in Latin is disproved by coins showing that Segesta was indeed the earlier name.[citation needed]

The population of Segesta was mixed Elymian and Ionian Greek, though the Elymians were soon Hellenized and took on external characteristics of Greek life.

Segesta was in constant conflict with Selinus (modern Selinunte), which probably tried to assure itself a port on the Tyrrhenian Sea. The first clashes were in 580-576 BC, and again in 454 BC, but later the conflict would have repercussions for all of Sicily.

In 415 BC Segesta asked Athens for help against Selinus, leading to a disastrous Athenian expedition in Sicily (415-413 BC). Later they asked Carthage for help, leading to the total destruction of the city of Selinus by the hands of Carthage. Segesta remained an ally of Carthage, it was besieged by Dionysius of Syracuse in 397 BC, and it was destroyed by Agathocles in 307 BC, but recovered.

In 276 BC the city was allied with Pyrrhus, but changed side in 260 BC when it surrendered to the Romans. The city was not punished by the Romans for its long alliance with Carthage, but owing to the mythical common origin of the Romans and the Elymians (both descendants of refugees from Troy) it was granted the state of a "free and immune" city.

In 104 BC the slave rebellion led by Athenion started in Segesta.

Little is known about the city under Roman rule, but it is probable that the population gradually moved to the port city of Castellammare del Golfo due to better trading opportunities.

The city was destroyed by the Vandals.

The ruins of the city are located on the top of Monte Bàrbaro at 305 m above sea level. The city was protected by steep slopes on several sides and by walls on the more gentle slope towards the temple.

The hilltop offers a view over the valley towards the Gulf of Castellamare. The city controlled several major roads between the coast to the north and the hinterland.
Segesta Temple in Thomas Cole´s picture from 1843

Description

Segesta, Greek Egesta , ancient city of Sicily, located on Monte Barbaro about 2 miles (3 km) northwest of modern Calatafimi. It was the chief city of the Elymi, a people for whom Thucydides claimed a Trojan origin; they are archaeologically indistinguishable in the Early Iron Age (c. 1000–c. 500 bc) from their Sicanian neighbours. Culturally Segesta was Greek, and inscriptions on pottery show that the local dialect was written in the Greek alphabet. Boundary disputes with nearby Selinus, for instance, were frequent from 580 bc onward. During most of the 5th century bc, Segesta was allied with Athens. It was Segesta that lured Athens into embarking on the disastrous Sicilian Expedition (416–413). When in 409 Hannibal, son of Gisgo, sacked Selinus, Segesta became a Carthaginian ally. Early in the First Punic War, however, the inhabitants massacred the Carthaginian garrison and allied themselves with Rome. Segesta was favourably treated under Roman rule; it became a free city, and the territory of Eryx may have been assigned to it. The emperor Augustus (reigned 27 bc–ad 14) granted Segesta Latin rights. Vespasian (ad 69–79) settled Roman veterans in Segesta’s extensive territory. By the late 2nd century ad, however, Segesta had been abandoned.

Site Monuments

Segesta is the site of an important temple and other ancient monuments, to the north-west of Sicily. The most significant monuments in Segesta are the temple itself, and also the theatre and the sanctuary, in the “Contrada Mango".

It is interesting to understand how the Greeks arrived at the structure of the temple and other monuments, a knowledge of which greatly enhances a visit, hence we have included quite extensive information about these important monuments.

The temple of Segesta

From the mid-fifth century BC onwards the whole range of Greek architecture was established at Segesta, and the Doric temple of Segesta is an example of the so-called 'international style' of architecture, in the sense that the Doric forms were quite simple and widely found.

The temple is hexastyle-peripteral form (i.e. has a colonnade that runs around its perimeter), with six columns in front and a peristyle of columns behind, which is a typical form of Greek architecture found in almost all their temples. The temple is a parallelogram in shape with a length of 70 meters and a width of about 21 meters, the lower sides of which, according to a typical technique of religious buildings, look out toward the east and west, so that the temple showed its 'face' to those who came from the city.

The Segesta temple is located on a high base, divided into four steps, the lower of which is of a lesser height, while the upper level, left unfinished on three sides, forms a kind of dado under each column that gives the appearance of a pedestal.

The diameter of the columns is less than 2 meters at the bottom, while the top diameter is 1.5 meters, and the height of the columns is about 10 meters.

The thirty-six columns form the peristyle and are placed on a single stylobate (base) measuring about six by 27 meters. The intercolumnia, slightly surpassing the diameter of the columns, are closer to the corners, a technique used in Greek art to increase the soundness of the building, and to ensure an ideal distribution of the triglyphs of the frieze, which always correspond to the axis of the columns and the mid intercolumnia.

The cornice, consisting of an architrave ornamented at the top with a row of rings below each triglyph, and a strip across its width, is surmounted by a frieze composed of triglyphs alternating with smooth metopes. This structure is then crowned by a cornice and a pediment, which increase the effect of this majestic temple and give an impression of solidity and intensity.

A remarkable peculiarity of the temple of Segesta, although it is not unique in Greek architecture, is that the columns are not perfectly fluted, as is typical of the Doric order. From this observation we can infer that the temple of Segesta was never completed, because usually the work of the grooves on the columns was carried out when they were already placed to better ensure the effect of the engraving.

Scholars have debated a great deal about the deity to whom the temple was dedicated. Some attribute it to Ceres, while for others it is a temple dedicated to Diana and still others believe that it was dedicated to Venus. It is certain, however, according to Cicero ("In Verrem”, IV), that there existed a temple of Diana in Segesta, and inside there was the statue of the goddess.

The Greek theatre of Segesta

The theatre in Segesta dates back probably to the 4th-3rd century BC, and was located in one of the best areas of the town. Built of large masses of stone (without cement and lime), the theatre was quite isolated and of a semi-circular shape, with part of the stage facing west. The “cavea” is contained in a semicircle of about 60 feet diameter.

The theatre stage, of which few traces remain, was originally decorated with columns and pillars.

Several doubts have emerged concerning the date of construction of Segesta Theatre, but the original construction of the “cavea” is thought to date from the late 4th century BC:

"A chronology of the original ‘cavea’ as dating from the second half of the fourth century BC is credible, but we can not exclude some restructuring and functional adaptation. The current shape of the seats suggests the II-I century BC, but we cannot reasonably deny the possibility that these have been replaced."

(M.L. De Bernardi, “Analisi delle anomalie architettoniche dell’attuale ‘cavea’ del Teatro di Segesta” in “Terze Giornate internazionali di studi sull’area elima”, Proceedings, I, 2000: 386).

OTHER SEGESTA MONUMENTS AND HIGHLIGHTS

At the foot of Mount Barbaro, in "Contrada Mango", excavations have unearthed the remains of a sanctuary from the Archaic period, surrounded by a large rectangular wall of square blocks. Inside they have found the remains of one or more buildings in the Doric style, built between the sixth and fifth centuries BC.

Finally, your archaeological tour of segesta can be concluded with a sightseeing trip to the famous ‘Thermae of Segesta', patronized in turn by by the Greeks, Romans and Arabs, who knew the health properties of these sources, which consisted of good water for the treatment of rheumatic, dermatological and respiratory diseases.

In the 19th century, close to the “Thermae”, a very auspicious Greek inscription was found, "Asoteria Iaskarin" or "For the benefit of your own health".


Sources / Bibliography / Photos

Per-Erik Skramstad
Σέγεστα ή Έγεστα, εγκυκλοπαίδεια ΔΟΜΗ, 1972
Διόδωρος Σικελιώτης, Ιστορική Βιβλιοθήκη, Βιβλίον ΙΔ, κεφ. 53 «συνέταξε δ´ αὐτῷ τὴν Αἴγεσταν καὶ τὴν Ἔντελλαν πολιορκεῖν»
Έγεστα, Αίγεστα ή Σέγεστα, εγκυκλοπαιδικό λεξικό ΕΛευθερουδάκη, 1929
Claudii Ptolemaei Geographia, Volume 1, Claudio Ptolomeo, sumtibus et typis Caroli Tauchnitii, 1843, σελ. 166
Θουκυδίδης Ιστορία_του_Πελοποννησιακού_Πολέμου/ΣΤ II «πόλεις δ' αὐτῶν Ἔρυξ τε καὶ Ἔγεστα...» VI «οἱ Ἐγεσταῖοι ξυμμαχίαν ἀναμιμνῄσκοντες τοὺς Ἀθηναίους ἐδέοντο σφίσι ναῦς πέμψαντας ἐπαμῦναι...»
Αππιανού Αλεξανδρέως, Ρωμαϊκών Ιλλυρική, X, Appiani Alexandrini Romanarum historiarum quae supersunt: ad optimorum librorum fidem accurate editae, Volumes 1-2, Appianus (of Alexandria) Sumtibus et typis Caroli Tauchnitii, 1829 - Rome «εοίκασι δε και Σεγεστανοί Λευκίω Κόττα και Μετέλλωι»
Burford, Alison (1961). "Temple Building at Segesta". The Classical Quarterly 11 (1–2): 87–93
Trismegistos GEO ID: 22277 http://www.trismegistos.org/place/22277
Scully, Vincent. 1969. The earth, the temple, and the gods; Greek sacred architecture. New York: Praeger.
Grinnell, Isabel Hoopes. 1943. Greek temples.
http://www.livius.org/

8.3.15

Emporion , Spain

Emporion, Emporiae (Ampurias) (Greek: ᾽Εμπόριον, "port of trade"): Graeco-Roman settlement in northeastern Spain, modern Ampurias.

According to the Greek geographer Strabo of Amasia, the Palaiapolis of Emporion was founded by Greeks from Massilia (Geography, 3.4.8). It was not a completely new town: the Iberian tribe of the Indigetes was already living there. The two nations appear to have gone along well: the natives obtained precious goods from the east, while the Greeks gained a stopover port in their expanding network in the western part of the Mediterranean.

Español

Ciudad griega de Emporion, en L'Escala, Gerona. 

En el S. VI a.C. se funda por comerciantes Griegos-Foceos, Emporiom. Esta nuevo asentamiento se desarrolla en dos fases: Paliapolis -ciudad antigua- y mαs tarde Neopolis -ciudad nueva-. El significado en Emporiom es "mercado", que nos da una idea exacta de las intenciones de los nuevos colonizadores.

De la ciudad antigua, Paliopolis, nos quedan pocos restos ya que se ha construido sucesivamente encima de ellos. Actualmente se conoce como el islote de Sant Martν d'Empuries. Se tiene documentaciσn que situa en ιl al santuario de Artemisa, pero realmente solo tenemos algunos restos, en concreto capiteles jσnicos reutilizados para construcciones posteriores.   

De la Neopolis, se conservan muchos mαs restos:
La muralla cubre dos flancos -sur y este- con una puerta al sur rodeada por dos torres. Hay otra torre en el vertice de las dos murallas. Esta construida a modo νbero, sin trabajar las piedras, debido a la particiciσn de la poblaciσn indνgena de Indike.

Existe un verdedera estructura urbanνstica en el diseρo de la ciudad. Hay una calle principal, de la que nacen a ambos lados otras, que va a dar a la zona sacra de templos. Las viviendas de planta rectangular se ubican en los vertice de la calles.

Los templos de la zona sacra son:

    El Templo de Asklepiσs, consagrado al Dios griego de la medicina, Asklepiσs, del que nos queda una magnνfica escultura.
    El Templo de Serapis, consagrado a Zeus Serapis, a Isis y a su hijo Harpσcrates. Estα mejor conservado, su cela es de planta cuadrada, esta situado sobre un podium con escalinatas laterales y tiene un portico de 4 columnas. Su diseρador fue Numas, un arquitecto ejipcio traνdo a Emporiom, de aquν que las divinidades veneradas sean de origen egipcio.

Ademαs de los templos son de destacar las casas civiles y pϊblicas:
  • Casa d'Atrio. Es una vivienda familiar construida con un patio central.
  • Casa de Peristilo. Otra vivienda de estructura parecida, con patio central.
  • La Plaza central -Agora-. Es el centro de la actividad econσmica y polνtica de la ciudad. En ella se encuetra el Stoα, que es el edificio destinado a dichas actividades.
  • Mercados y tiendas. Distintas edificaciones que flanquean la calle principales.
Tambiιn nos han quedado restos de construcciones de ingenieria:
  • Filtros y distribuciσn de agua. Los filtros erαn grandes αnforas rellenas de arena y material filtrante.
  • Alcantarillado. Se conservan algunas canalizaciones para aguas sucias.
En las dos ciudades aparecen lαminas de plomo con estritura y monedas de plata -drachma- asi como las tνpicas cerαmicas griegas como Αnforas, Pelikes, Hydias, Crateras, Oinochoes...

History
 
A Greek trading settlement inhabited by the Phokaians from Massalia, at the end of the Gulf of Rosas on the Costa Brava; it is 3 km from the village of La Escala and 40 km NE of Gerona. It is first mentioned in the Periplus of the Pseudo-Skylax and in Skymnos. Its location has been known from the time of the Renaissance since it gave its name to an entire district, the Ampurdan, was an episcopal see in the Middle Ages, and one of the counties of the Marca Hispanica.

The Greeks originally occupied the small islet of San Martin, now joined to the mainland, which was subsequently known as Palaiapolis (Strab. 3.4.8). They soon spread to the nearby coast and used the mouth of the Clodianus (Fluvia) as a trading port. The town was founded a little after 600 B.C. (date of the foundation of Massalia) and throughout the 6th c. was a mere trading settlement, a port of call on the trade route from Massalia (Marseille), two days' and one night's sail distant (Pseudo-Skylax 3), to Mainake and the other Phokaian foundations in S Iberia which traded with Tartessos. Because it was frankly a mart the Greek settlement grew rapidly, and probably received fugitives from the destruction of Phokaia by the Persians (540) and after the Battle of Alalia (537), also Greeks from Mainake and other cities in the S destroyed by the Carthaginians.

Greek vessel
In the 5th c. Massalia declined, and Emporion, which was already independent, became a polis ruled by magistrates; it developed a brisk trade with the Greek towns in S Italy, the Carthaginian towns, and the native settlements in the interior, on which it had a profound Hellenic influence. Emporion then minted its own coins, first imitating those of the towns with which it traded, including Athens and Syracuse, and later creating its own currency in fractions of the drachma. The types were copied from those of both Carthage and Syracuse, and the currency system continued to be separate from that of Massalia until Emporion was Romanized in the 2d c. The 5th-3d c. were those of its greatest wealth and splendor.

 Business Letter (Greek inscription)  

Commercial letter, written in Greek on plated lead, in which a merchant from Ionia sends off several orders to his representative in Emporion. Fifth century BCE.
[‒ ‒ ‒]ν̣[‒ ‒ ‒]?
[‒ ‒ ‒][κελεύε̄] ο̣[κ]ω̣ς ἐν Σαιγάνθηι ἔσηι, κἂν [‒ ‒ ‒] 1
[‒ ‒ ‒] Ἐ̣μππορίταισιν οὐδ' ἐπιβα̣[‒ ‒ ‒]
[‒ ‒ ‒]νε̣ς ἢ ἔ̣κοσι κοἶνος {καὶ οἶνος} οὐκ ελ̣σω̣[....]δ[‒ ‒ ‒]
[‒ ‒ ‒]ἐν Σαιγ]άνθηι ὀνωνῆσθαι Βασπεδ[...]π[λοῖον ‒ ‒ ‒]
[‒ ‒ ‒]αναρσαν παρακομίσε̄ν κἂς [..]ε[......]ο̣[‒ ‒ ‒] 5
[‒ ‒ ‒]λ..εωνι τί τούτων ποητέον [..]ν[‒ ‒ ‒]
[‒ ‒ ‒]τα καὶ κελεύε̄ σε Βασπεδ[..]εδ̣ε̣ι[‒ ‒ ‒]
[‒ ‒ ‒ ἔρε]σθαι ε̣ τίς ἐστιν ὂς ἔλξει ἐς δ[.]οστ. α[‒ ‒ ‒]
[‒ ‒ ‒ ἠ]μέτερον· κἂν δύο ὤισι, δύο προ̣[εσ]θ[ω ‒ ‒ ‒]
[‒ ‒ ‒]ἀ̣ρ[χ]ὸς δ' ἔστω· κἂν αὐτὸς θέλ[ηι ‒ ‒ ‒] 10
[‒ ‒ ‒ τὤ]μ[υ]συ μετεχέτω· κἂμ μὴ ὀ[μο]ν̣[οηι ‒ ‒ ‒]
[‒ ‒ ‒]τ̣ω κἀπιστε̄λάτω ὀκόσο̄ ἂν[‒ ‒ ‒]
[‒ ‒ ‒]ν ὠς ἂν δύνηται τάχιστα[‒ ‒ ‒]
[‒ ‒ ‒κεκ]έλευκα· χαῖρε.
 1(δεῖ σε ἐπιμελε̄́σθαι)] ο̣[κ]ω̣ς: ὅπως / ὤς ZPE 72: ῳς ... καν Slings: δεῖ σε επιμελέσθαι] ὄ[κ]ως ἐν Efenterre-Ruzé: <Ζ>α<κ>άθηι Musso: ὂ[κ]ως ZPE 68. 2 ἐ]ππορίταισιν (= μέτοικοι) / Ἐ]ππορίταισιν / ἀ]ππορίταισιν (= ἀμφορίτης) Musso: ἐπιβα̣[ίνηις ZPE 84: ἐπιβα̣[ίνε̅ν ZPE 72: ἐπιβα̣[ταισι ZPE 68 ZPE 72: ἐπιβα̣ Slings: ἐπιβά̣[ταισιν] Efenterre-Ruzé. 3 ἐ̣σ̣[…]δ[ Slings: πλέο]νε̣ς Efenterre-Ruzé: ἐλάσσο]νε̣ς ZPE 80: πλεο]νε̣ς ... οὐκ ἐς θ̣...δ[...ZPE 72: ἐ̣λ̣ά̣[σσων ἤ]δ[έκα ZPE 80. 4 (φορτίον τό ἐν / φορτηγέσιον); Σαιγ]άνθηι ZPE 72: ]αν θήϊον ωνῆσθαι βὰς πέδ[ον καρ]π[ητανῶν Musso: [--Σαιγ]άνθηι ὀνῳνῆσθαι Slings: φορτίον τὸ ἐν Σαιγ]άνθηι ὄν Efenterre-Ruzé: Σαιγ]άνθηι ὂν ὠνῆσθαι (φορτίον τὸ ἐν) ZPE 68: Σαιγ]άνθηι ὂν, ὠνῆσθαι ZPE 72: Σαιγ]ανθηῖον ὠνῆσθαι ZPE 80. 5 ]αν ἄρσαν ZPE 72: ἄναρσαν ZPE 72: αν ἄρσαν παρακομί<ζ>εν κα[σσίτ]ερτον Musso: ]αναρσαν Slings: ἐς ]αν Ἄρσαν παρακομισεν κασ[ ]εν̣[ López García: [ἀκάτιον / πλοῖον ...]αν ἄρσαν ZPE 80, ZPE 84, Slings, Musso. 6 α / δ ... [ἠμῖ]ν... ZPE 72: ]α. ε̣ωνι… ποητέον [ἠμῖ]ν Efenterre-Ruzé: [ἠμι]ν̣[ ZPE 72. 7 ἔλκ̣[εν ZPE 72: καὶ κελεύε<ι> σι / καὶ κελεύ{ε}σε<ι> βὰς πεδ[ον] Ἐλι[βυργίων] Musso: σ̣α καὶ κελεύε σε Βασπεδ[..]ελ.[---] Slings: ἐρώ]τα καὶ κέλευε ZPE 72. 8 (εἴ / ἢ) ZPE 72: ]σ̣θαι· τις ἔστιν ὅς ἕλξει López García: ἔλξει ZPE 68 Slings: ἔλξε̄ι ZPE 72: [- ἔρε]σθαι .. τίς ZPE 144. 9 ]μέτερο ν· κἄν δύο ὦισι, δύο προ[..]θ[...]χ[---] Slings. 10 μ̣ (μ/λ).π(μ/γ)ος ZPE 72: ]...ος δ' ἔστω... θέλη[ι..]θ̣α̣ι̣[---] Slings: ]μ. πος; ]λ̣[ ]ος Efenterre-Ruzé. 11 κἂμ μὴ ο.[.]μ[---] Slings: μὴ ὀ[μο]λ[όγηι] Efenterre-Ruzé: ὀ[μο]λ̣[όγηι ZPE 80. 12 κἀπιστε<ι>λάτω ὀκοσο<υ> ἄν [δοκῇ Musso: μενά]τω Efenterre-Ruzé: μεν]άτω ZPE 72. 14 ταῦτα κεκ]έλευκα DG.
 Business Letter (Greek inscription) 

The town built temples, foremost among which was that dedicated to Asklepios, for which a magnificent statue of Pentelic marble was imported. Outside the town a native settlement developed, which soon became hellenized. It was called Indika (Steph. Byz.), an eponym of the tribe of the Indiketes. In the course of time the two towns merged, although each kept its own legal status; this explains why, in Latin, Emporion is referred to in the plural as Emporiae. In the 3d c. commercial interests arising from its contacts with the Greek cities in Italy made it an ally of Rome. After the first Punic war the Roman ambassadors visited the Iberian tribes supported by the Emporitani, and in 218 B.C. Cn. Scipio landed the first Roman army in Hispania to begin the counteroffensive against Hannibal in the second Punic war.
Phallus

The war years were prosperous for the city's trade, but when the Romans finally settled in Hispania, difficulties arose between the Greeks and the native population, which were accentuated during the revolt of 197 B.C. In Emporion itself the Greek and native communities kept a constant watch on each other through guards permanently stationed at the gate in the wall separating the twin towns (Livy 34.9). In 195 B.C. M. Porcius Cato established a military camp near the town, rapidly subdued the native tribes in the neighborhood, and initiated the Roman organization of the country. As the result of the transfer to Tarraco of the Roman administrative and political sector, Emporion was eclipsed and became a residential town of little importance. The silting-up of its port and the increase in the tonnage of Roman vessels hastened its decline. The town became a municipium and during the time of C. Caesar received a colony of Roman veterans.
Greek Terracota Museum of Prehistory of Valencia


The Roman town, which was surrounded by a wall, was ruined by the invasion of the Franks in 265 and Rhode became the economic center of the district. However, a few small Christian communities established themselves in Emporion and transformed the ruins of the town into a necropolis which extended beyond the walls. Mediaeval sources claim that St. Felix stayed in Emporion before his martyrdom in Gerona in the early 4th c.
Mosaic with Greek inscription

Description

The site of Empuries in Catalonia contains the remains of an ancient Greco-Roman city and military camp and is one of the oldest of its kind found on the Iberian Peninsula.

The history of Empuries dates back to the early Iron Age, but the remains that can be seen today at the Empuries archaeological site are those of both a Greek trading port and a Roman military camp.

Founded in the sixth century BC by ancient Greek traders from Phocaea, Emporion – as it was originally known – was used by Greek merchants who utilised the advantageous location of its valuable natural harbour. The very name of the city implied its commercial purpose – empurion meaning ‘market’ in ancient Greek.

In 218 BC the Romans took control of Empuries in an attempt to block Carthaginian troops during the Second Punic War. By 195 BC a Roman military camp had been established and over the next century a Roman colony named Emporiae emerged at the site, lasting until the end of the third century AD. However, over time the city waned as the nearby centres of Barcino (Barcelona) and Tarraco (Tarragona) grew. The importance of Empuries dwindled and the city was largely abandoned at this time.

In the eighth century AD the Franks took control of the region, after defeating the Moors, and the area took on an administrative function – becoming capital of the Carolingian county of Empúries. This role remained until the eleventh century, when it was transferred to Castellon. From then on Empuries served as the home of small groups of local fisherman and was largely forgotten.

The enclosure of the Greek town has been completely excavated. To the S is a temple area (Asklepieion and temple of Serapis), a small agora, and a stoa dating from the Roman Republican period. It is surrounded by a cyclopean wall breached by a single gate, confirming Livy's description. On top of the Greek town and further inland is a Roman town, ten times larger and surrounded by a wall built no earlier than the time of Augustus. Inside is a forum, completely leveled, on which stood small votive chapels. To the E, facing the sea, are two large Hellenistic houses with cryptoportici, which contained remains of wall paintings and geometric mosaics. Many architectural remains are in the Barcelona Archaeological Museum and in the museum on the site. Among the finds are a statue of Asklepios, a Greek original; the mosaic of Iphigeneia, an archaic architectural relief with representations of sphinxes; Greek pottery (archaic Rhodian, Cypriot, and Ionian; 6th-4th c. Attic, Italic, and Roman). Several cemeteries near the town have also been excavated.
Today, the archaeological site of Empuries is nestled between the coastal village of Sant Marti d’Empuries and l’Escala, on the Costa Brava. Remains at the site include the ruins of the Greek market and port, an ancient necropolis as well as the Roman-era walls, mosaics, amphitheatre and early Christian basilica.

The ruins illustrate the rich and diverse history of the city, from holy areas and temples to a statue honouring Jupiter. Many of the finds from Empuries can be seen in the small on-site museum, which contains replicas as well as original items. Artefacts from the site can also be found at the central museum in Barcelona.

The site’s location on the Balearic Sea boasts magnificent views, making it a perfect location to explore history in scenic surroundings.

Empuries is managed by the Museu d’Arqueologia de Catalunya, which looks after other historic sites nearby and on the peninsula.


Site Monuments

The Palaiapolis

The island on which the Palaiopolis was situated is now part of the mainland and is the site of the mediaeval village of Sant Martí d'Empúries. The former harbour has silted up as well. Hardly any excavation has been done here.

After the founding of the Neapolis, the old city seems to have functioned as an acropolis (fortress and temple). Strabo mentions a temple dedicated to Artemis at this site.

The Neapolis 

The Neapolis consisted of a walled precinct with an irregular ground plan of 200 by 130 m. The walls were built, and repeatedly modified in the period from the 5th to the 2nd century BC. To the west the wall separated the Neapolis from the Iberian town of Indika.

In the south-west part of the city were various temples, replacing an older one to Artemis, such as a temple to Asclepius, of whom a marble statue was found. In the south-east part was a temple to Zeus-Serapis. The majority of the excavated buildings belong to the Hellenistic period. In addition to houses, some of which are decorated with mosaics and wallpaintings, a number of public buildings have come to light, such as those in the agora and the harbour mole. In the Roman period, thermae and a palaeochristian basilica were built.

To the south and east of the new city was an area that served as a necropolis.

The Roman city

Of the Roman city only some 20% has been excavated thus far. It has the typical orthogonal layout of Roman military camps, with two principal roads meeting at the forum. The Roman city is considerably larger than the Greek one. During the Republican period a temple was built dedicated to the Capitoline Triad: Jupiter, Juno, and Minerva. During the reign of the emperor Augustus a basilica and curia were added.

In the eastern part of the town a number of large houses have been excavated, with an inner courtyard, numerous annexes, floor mosaics, and paintings. In the 2nd century the town was surrounded by a wall without towers. An amphitheatre and palaestra were built outside the wall.

Ruins of Neapolis and Palaiapolis


Serapieion (Temple of Isis and Zeus Serapis)


Agora

Stoa (agora)

Greek mosaics


Ruins of  Acropolis

Asklepieion

Tank

Roman Paleochristian basilica

Roman Town


Sources / Bibliography / Photos

Excavation reports, Anuari de l'institut d'Estudis Catalans (1907-27); J. Puig i Cadafalc, L'Arquitectura romana a Catalunya (1934); A. García y Bellido, Hispania Graeca (1948); M. Almagro, Las fuentes escritas ref erentes a Ampurias (1951); id., Las inscripciones ampuritanas. Griegas, Ibericas y Latinas (1952); id., Las Necropolis de Ampurias (1953-55
Though they later became separate, the Frankish counties of Empúries and Peralda were always held by a single individual, according to Stephen P. Bensch, ("Lordship and coinage in Empúries," in The Experience of Power in Medieval Europe, Robert F. Berkhofer, Alan Cooper, Adam J. Kosto, eds. 73-, p. 74.
Martín Almagro "Las Necrópolis de Ampurias I: Las Necrópolis Griegas" Barcelona 1953 y Martín Almagro "Las Necrópolis de Ampurias II: Las Necrópolis Romanas e Indígenas. Barcelona 1955.
Alfonso López Borgoñoz "Distribución cronològica y espacial de las necròpolis ampuritanas" en VV.AA. "De les estructures indígenes a l'organització provincial romana de la Hispania Citerior" pp. 275-298. Institut d'Estudis catalans. Ítaca. Barcelona, 1998.
Alfonso López Borgoñoz "Las necrópolis altoimperiales ampuritanas" pp. 711-744. Annals de l'Institut d'Estudis Gironins. Vol. XXXVII, 1996 - 97 Girona, 1997.
Josep M. Nolla; Jordi Sagrera "Ciuitatis Impuritanae Coementeria. Les necròpolis tardanes de la Neàpolis" Girona: Facultat de Lletres de la Universitat de Girona, Girona, 1995, 329 p. Estudi General, 15. and Josep M. Nolla "Tombes i cementiris del sector nord-oriental del turó d’Empúries" Arqueologia AIEE, Figueres, 33(2000), pàg. 11-20.
De Hoz, J. (1995). «Ensayo sobre la epigrafía griega de la Península Ibérica», Veleia 12, 151–179.
De Hoz, M.P. (1997). «Epigrafía griega en Hispania», Epigraphica LIX, 29–96.
Efenterre, H. Van; Ruzé, F. (1994). NOMINA. Recueil d'inscriptions politiques et juridiques de l'arcaïsme grec. Vol. I. Roma.
Gangutia, E. (1999). «Hecateo y las inscripciones griegas más antiguas de la Península Ibérica», AEspA 72, 3–14.
www.costabrava.com
López García, A. (1995). «Nota sulla lettera di piombo da Emporion». Tyche 10, 101-2. [non vidi, cf. De Hoz, M.P. (1997)].
Musso, O. (1986). «Il piombo inscritto di Ampurias: note linguistiche e datazione». Empúries: revista del món clàssic i antiguitat tardana 48-50, 156-159.
LeZibou http://fr.wikipedia.org/wiki/Utilisateur:LeZibou
Oller, M. (2013). «Griegos e indígenas en Empórion (siglos VI-IV a.C.): un estudio de la cuestión», Faventia Suplementa 2, 187–202.
http://www.perseus.tufts.edu/hopper/
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Rodríguez, H. (1998). «Inscriptiones Graecae Antiquissimae Iberiae». En Mangas, J.; Plácido, D. (eds.). La Península Ibérica en los autores griegos: de Homero a Platón. Testimoniae Hispaniae Antiquiae II A. Madrid, 335-339.
David Mateos
Museu d'Arqueologia de Catalunya http://www.mac.cat
Sanmartí, E.; Santiago, R.A. (1987). «Une lettre grecque sur plomb trouvée à Emporion (Fouilles 1985)». ZPE 68, 119-127.
— (1988). «La lettre grecque d'Empòrion et son contexte archéologique», RAN 21, 3–17.
— (1988). «Notes additionnelles sur la lettre sur plomb d'Emporion». ZPE 72, 100-102.
Santiago, R.A. (1990). «Encore une fois sur la lettre sur plomb d'Emporion (1985)». ZPE 80, 79-80.
— (1990). «Quelches corrections à ZPE 80, 1990, 79-80». ZPE 84, 14.
— (2003). «Las láminas de plomo de Ampurias y Pech Maho revisitadas», ZPE 144, 167–172.
— (2013). «Comercio profesional: infraestructura personal y operacional. Repaso del léxico y selección de inscripciones», Faventia Supplementa 2, 205–231.
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Santiago, R.A.; Gardeñes, M. (2002). «Interacción de poblaciones en la antigua Grecia: algunos ejemplos de especial interés para el Derecho internacional privado», Faventia 24/1, 7–36.
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Santos, M. (2008). «L'arqueologia grega a Empúries. Un discurs en construcció», Annals de l'Institut d'Estudis Empordanesos 39, 49–79.
Slings, S. R. (1994). «Notes on the Lead Letters from Emporion». ZPE 104, 111-117.
Wilson, J.P. (1997-8). «The ‘Illiterate trader'?», BICS 42, 29–56
CeGe http://commons.wikimedia.org/wiki/User:CeGe



7.3.15

Apollonia (Gylakea) , Albania

Apolonia which lived for 11 centuries between 620 BC and 479 was a city-state that originated as a product of the process of “Great 'Greek colonization''VIII-VI centuries BC, on the shores of Illyria, which were populated by the community of Taulantia tribal. Stefan Bizantini, one of ancient authors say that:''it was the largest city and most important of the 30-to colonies that were established across the Mediterranean with the name of god Apollo''.

Shqip
Apolonia është qyteti antik në Shqipëri ndër më të mëdhenjtë në pellgun e Adriatikut dhe më i përmenduri ndër 30 qytetet e tjera, me të njëjtin emër, të kohës antike.

 Apolonia ndodhet 12 kilometra larg qytetit të Fierit. Apolonia si qytet u themelua në fillim të shekullit të shtatë para Krishtit nga kolonizatorët grekë që vinin nga Korinti. Të dhënat e para të pranisë së tyre janë të dokumentuara rreth vitit 588 para Krishtit. Emrin qyteti e mori për nder të perëndisë Apolon. Ndër 24 qytete në të gjithë botën mesdhetare që mbanin këtë emër në Antikitet, Apolonia e Ilirisë ishte më e rëndësishmja dhe luajti një rol të madh si ndërmjetëse tregtare mes helenëve dhe ilirëve. Apolonia ishte në atë kohë një qytet i madh e i rëndësishëm në afërsi të lumit Aoos (Vjosë). Llogaritet që qyteti të ketë pasur rreth 60 000 banorë, një shifër rekord për Antikitetin !

Apolonia e ruajti madhështinë e saj edhe në periudhën romake. Shkolla apoloniate e arteve të bukura ishte me famë në të gjithë botën antike. Në momentin kur në Romë, gjatë një komploti në Senat u vra Jul Cezari, nipi i tij Oktavian Augusti studionte oratorinë në Apoloni. Kronikat romake tregojnë sesi ai me të marrë vesh lajmin e vrasjes së Cezarit u nis me një anije nga Apolonia dhe kur, pas disa kohësh vetë Oktaviani u bë Perandor, e ruajti mirënjohjen për qytetin ku kishte studiuar duke e liruar Apoloninë nga të gjitha taksat.

Pas një tërmeti në shek. III e.s lumi Aoos ndërron shtrat duke e shkëputur qytetin nga deti. Goditja rezultoi fatale në një epokë ku i gjithë aktiviteti tregtar zhvillohej në lidhje me detin. Qyteti e humbi gradualisht rëndësinë ekonomike duke u shndërruar në një qendër të thjeshtë fetare. Por shuarja graduale dhe jo e dhunshme e jetës qytetare si dhe shndërrimi i zonës përreth në kënetë, të bonifikuar vetëm pas vitit 1945, bëri që zona arkeologjike të ruhet mjaft mirë. Arkeologët e quajnë Apoloninë Pompei i Shqipërisë, pasi vetëm 10% e territorit të qytetit të dikurshëm është zbuluar deri më sot.

Disa nga objektet arkeologjike dhe statujat u përvetësuan nga vendet e tjera para vitit 1945. Ato që kanë mbetur janë vendosur në një muze që ndodhet në një manastir të shekullit XIII. Në kopshtin e Manastirit ndodhet edhe një kishë bizantine që i përket shekullit të XIV.

Me interes të madh për vizitorin në Apoloni janë monumenti i Agonotetëve, Odeoni, Biblioteka, muri rrethues, Portiku, vila me impluvium, vila romake me mozaikë, muzeu arkeologjik, Kisha e Shën Mërisë etj.

Territori i madh i mbuluar me monumente, panoramat dhe peizazhet e mrekullueshme mbi fushën e Myzeqesë dhe Detin Adriatik nga njëra anë si dhe rruga automobilistike në gjendje të shkëlqyer, pozita e favorshme gjeografike pranë qyteteve të mëdha dhe plazheve të jugut nga ana tjetër e bëjnë Parkun Arkeologjik Apolonia lehtësisht të arritshëm për vizitorin dhe një destinacion të privilegjuar për turizmin kulturor në Shqipëri.


History

Apollonia was founded in 588 B.C. jointly by the Greek settlers from Corinth and Kerkyra (today Corfu), N.B. colonised by Corinthians in about 8th century B.C.1 The settlers were led by a man called Gylax and it was his name after which the city was given its first name was Gylakea in honor of its founder Gylak of Corinth. Later, the name was changed to honour the god Apollo. Thirty other cities in Macedonia, Thrace, Crete or Italia honoured the god in the similar way2. For a change, we also have Aπολλωνία κατ' Επίδαμνον, i.e. Apollonia near Epidamnos – the city which was founded a bit earlier, in 627 B.C., also by the settlers from Corinth and Kerkyra. These days, the ruins of the city lie in Albania, close to Pojani village, 7 km from Fier.

The settlers founded the city in a very convenient location. Apollonia was built on a gentle hill over the Aoos River (Αώος), just a few kilometres from the sea. When it comes to the trade, the new Corinthian colony was perfectly located and, what is more, it was situated on very fertile soil, so it is not surprising that soon it became one of the richest harbours of the Adriatic Sea.


Drachm, Antalkes Anikatou (Magistrate),ANTALKHS 
ΑΠΟΛ-ΑΝΙ-ΚΑ-ΤΟΥ (APOL-ANI_KA_TOU)

It is mentioned by Strabo in his Geographica as "an exceedingly well-governed city". Aristotle considered Apollonia an important example of an oligarchic system, as the descendants of the Greek colonists controlled the city and prevailed over a large serf population of mostly Illyrian origin. The city grew rich on the slave trade and local agriculture, as well as its large harbour, said to have been able to hold a hundred ships at a time. The city also benefited from the local supply of asphalt  which was a valuable commodity in ancient times, for example for caulking ships. The remains of a late sixth-century temple, located just outside the city.
At the turn of the 4th and 3rd century B.C., the city was flourishing; ramparts were rebuilt and a new coin was being issued. In 282 B.C. Apollonia was seized by the king of Epirus – Pyrrhus. After his death, the city strengthened its relationships with Rome which stationed its permanent garrison here since 229 B.C.

Roman army stayed in the city until 168 B.C. Roman proconsul Gnaeus Egnatius began the construction of a road which inherited its name after its designer, i.e. Via Egnatia (Ἐγνατία Ὁδός) in n 146 B. It led from Dyrrachium through Thessaloniki up to Bizancjum, 746 Roman miles3 in total, i.e. about 1103 km. Apollonia had become the second, after Dyrrachium, western end of this road, which had an impact on the city’s growing importance.
Kapital of Monument of Agonothetes

Regrettably, at the beginning of the 3rd century, Apollonia was largely destroyed by a strong earthquake. What is more, due to this earthquake, the bed of the Aoos River (now Vjosës) moved away from the city and the crop fields turned into marsh. The total destruction of the city was sealed by the invasions of people from the north. In the end, the city of Apollonia perished.

Description

Apollonia represents one of the most important cities of the Mediterranean world and Adriatic basin, preserved in an exceptionally intact condition. Numerous monuments inside its original borders comprise an outstanding evidence of Greco - Roman culture of the city. Strabo has noted that the city was founded by Greek colonists from Corfu and Corinth, who found in its territory an earlier local settlement with its own unique cultural elements. The presence of this local culture is determined by the discovery of archeological artifacts from the Iron Age, tracts from an existing archaic fortification, the temple of Artemis as well as the tumular necropolis near the territory of the ancient city of Apollonia. The coexistence between two different cultures and their inevitable fusion produced a unique physiognomy of apollonian culture, which turned Apollonia to one of the most important economic centers of ancient Mediterranean world. The urban structure of the city lay on the hilly plateau, with an expanded view towards the fertile plain of Musacchia and the Adriatic Sea. The communication with the coast was enabled by the Aoos River, which flowed nearby. Inside its original borders in the 4th century BC Apollonia raised into one of the most important economic, political and cultural centers beside Epidamnos - Dyrrachion.

Temenos, or sacred area of the city, has been organized around the Temple of Apollo. In this part of the city, was build a number of monuments dating in the same period (6th century BC) with the temple of Apollo. There are preserved traces of a Doric temple with a east – west orientation, storehouses and cisterns (3d century B.C.), two small sanctuaries, noted by archaeologist as A and B (1st century BC).
Agora or social space was extended in the area between two hilltops, including the most important monuments discovered in the territory of Apollonia, consisting in different building phases.
Their study has contributed to the creation of a complete panorama on the development of the city.

During 4th and 3d centuries BC were added the retaining wallsofthe sacred area of Temenos, two Stoas (walkways or porticos), a Greek theater and a Nymphaeum (a monument consecrated to nymphs). During the Roman period, these area was increased with other social buildings like the Buleterion (the seat of the city council) an imitation of the Roman temple architecture; the Odeon, a combination of Greek and Roman construction techniques; the Library; the Arch of Triumph; the Temple of Diana and Prytaneion (the seat of government). Besides these specific monuments, archaeological excavations in the residential area have discovered a number of buildings from Hellenistic and Roman periods paved with well-preserved mosaics.
Different factors, as the earthquake of the year 234 AD which changed the riverbed of Aoos, the failure of the existent social structure and the gothic invasions caused the gradual decline and the loss of the status of Apollonia as a “port city”. The documentary sources of the 4th century AD refer to Apollonia as an important Episcopal residence, which during the 5th century AD was transferred in the neighboring city of Byllis. The successive period of its history remains unknown due to the restricted documentary data. The monastery complex comprises a unique testimony of the later history of the city. Although the preserved structure of the katholikon has been dated in the 13th century AD, different studies on the subject have argued that it belongs to an earlier date, maybe of 9th century AD. The medieval monastery at Apollonia preserves several structures belonging to different building periods. In addition to the katholikon dedicated to the Virgin (?) or to the Koimesis (?) (Dormition of the Virgin) with its lateral chapel of St. Demetrius, the complex includes the lower portion of a tower, the refectory (trapeza), and, evidently, portions of a building housing the original living quarters for the monks.

The katholikon of St. Mary dates in the second half of the thirteenth century, and possibly to the reign of Michael VIII Palaiologos, which issued a chrysobull granting the reconfirmation of privileges for the monastery. It belongs to the group of the churches of cross-in-square plan and the links with Constantinopolitan architecture have long been claimed on the basis of its structural system. Despite its irregularities, the whole arrangement of the church planning is simple and clear, with a domed nave, a narthex and an exonarthex. The handling of the walls is simple, but the external appearance is emphasized by the colonnade along the exonarthex which is crowned by capitals with a diversity of sculptural decorations (sirens, animals, and monsters), distinctly Romanesque in character and reminiscent to Romano gothic art which flourished in Ragusa and Tivar during the thirteenth to fourteenth centuries. From the painting program of the katholikon may be distinguished the fresco depicting several members of the Byzantine imperial family of the Palaiologi on the east wall of the exonarthex and the Deposition or the Archangel Gabriel portrait in the eastern part of the nave of the church.

The refectory stands in the western part of the monastery with a Nord – South orientation. It is triconch architecture, with its eastern, southern and western walls terminating with apses. The southern apse is rectangle and amplified during the restoration works of the year 1962, while the others trilateral. The interior of the building was decorated with fresco painting, very interesting in point of view of the organization the iconographic cycle and its artistic and technical qualities. It belongs to the roman – byzantine group of paintings, from which very few examples survive. The partially preserved cycle of frescoes reveals scenes like the Wedding at Cana, Washing of the Feet, Deisis, Prophet Elijah in the Cave, figures of apostles and prophets and scenes from the Cycle of Miracles of Christ. The realistic rendering of the landscapes is reminiscent of the painting of the Italian Renaissance. However, the execution may be considered a work of an anonymous artist native to the general area.

The mingling of eastern and western building traditions in the Monastery of St. Mary is not an uncommon phenomenon in the Balkan area, a long-disputed border between the eastern and western spheres of influence. This rivalry between the two spheres, for all its negative side effects on the political and religious life in this area, has also colored the Balkan cultures with their unique individualism.

Site Monuments


Ruins of the Town


Temple ruins (Monument of Agonothetes)


Odeon Theater of Apollonia


Agora


Church of Saint Mary

Sources / Bibliography / Photos
Strabo. Geographica, 7.8.316.
Strabo. Geographica. pp. VII.5.8.
Aristotle. De mirabilibus auscultationibus. pp. 842 b.27.
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Chamoux, François (2003). Hellenistic Civilization. Oxford, United Kingdom: Blackwell Publishing. ISBN 0-631-22242-1.
Hammond, Nicholas Geoffrey Lemprière (1976). Migrations and Invasions in Greece and Adjacent Areas. Park Ridge, New Jersey: Noyes Press. ISBN 0-8155-5047-2.
Hansen, Mogens Herman; Nielsen, Thomas Heine (2004). An Inventory of Archaic and Classical Poleis. Oxford, United Kingdom: Oxford University Press. ISBN 0-19-814099-1.
Larson, Jennifer Lynn (2001). Greek Nymphs: Myth, Cult, Lore. Oxford, United Kingdom: Oxford University Press. ISBN 0-19-514465-1.
Wilkes, John (1995). The Illyrians. Oxford, United Kingdom: Blackwell Publishing. ISBN 0-631-19807-5.
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Wilson, Nigel Guy (2006). Encyclopedia of Ancient Greece. New York, New York and Oxford, United Kingdom: Routledge (Taylor & Francis). ISBN 978-0-415-87396-3.
Public Domain This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press.
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Hansen & Nielsen 2004, p. 328.
University of Cincinnati (6 January 2006). "Researchers Discover Greek Temple In Albania Dating Back To 6th Century B.C.". Science Daily. Retrieved 16 July 2008.
Illyria, Apollonia - Ancient Greek Coins - WildWinds.com
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UNESCO Office in Venice: Apollonia Archaeological Museum reopens after 20 years of closure
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